Webster’s dictionary defines “bible“ as “any book regarded as authoritative or official.” Thus, The Tribal Bible is aptly named. It contains everything that an enthusiast of American Tribal (ATS) style belly dance would ever want.

It appropriately starts at the beginning, telling the story of how this new and unique dance evolved. Personal accounts from people who were there make this an interesting read. You can feel the tension and excitement from both the dance and the dancers. It has all the expected drama of the birth of a new phenomenon.

Djoumahna progresses by exploring the influences that continue its evolution today. She acknowledges the closely associated styles that resemble ATS and respects their position in the dance world, while pointing out their differences. She covers the globe in search of ATS hot spots and contributors to the ongoing creation. It’s a fascinating blend of east and west, traditional and modern.

The book goes on to visit costuming, movements, music and more. Peppered throughout the book are practitioners’ comments on why they dance, how it has enriched their lives, and their thoughts on a wide variety of dance related subjects. Through these comments, Djoumahna paints a spiritually uplifting picture of womanhood and sisterhood that personifies the whole tribal spirit. While non-dancers may not connect to many explanations of movement or music, this quality expands the audience from dancers to all women interested in connecting with the divine feminine and releasing the goddess within.

The reader will appreciate the abundance of photographs. There are pages of women from all over the world in various costumes and from different places in time. Tattoos, jewelry, make-up, movement, and the beauty of the dancers could not be adequately described without these photos. The photographs alone are worth the price of the book.

Djoumahna’s conversational tone makes The Tribal Bible an easy and entertaining read. I applaud the liberal crediting of her sources. It is particularly important in the creation of an authoritative reference book such as this; however, the way in which credit is written sometimes interrupts the flow of the book. I would have preferred footnotes where possible. With all the book has to offer, this is a small thing worth overlooking. I highly recommend this book to Middle Eastern dancers, dancers of other forms, women interested in exploring their inner goddess, collectors of Orientale art, and the curious. The Tribal Bible is a book you will return to again and again for inspiration and wonder.